Bach Bibliography Search Result

Series : ^JMcol$
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Type	List	Title[further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	C.P.E. Bach's sonatas for solo flute.	JMcol	11	2	Spring 1993	203-249
	2.	Some Thoughts on Bach's Neumeister Chorales.	JMcol	11	4	Autumn 1993	455-477
	3.	The case of J.C. Bach's Lucio Silla.	JMcol	12	2	Spring 1994	208-220
	4.	Musical Allegory Reconsidered: Representation and Imagination in the Baroque.	JMcol	13	2	Spring 1995	203-239
	5.	J.F. Doles's Setting of a Picander Libretto and J.S. Bach's Teaching of Vocal Composition.	JMcol	14	4	Autumn 1996	453-474
	6.	Bach's Recapitulation Forms.	JMcol	14	4	Autumn 1996	475-513
	7.	The Time of the Sign: 'O Haupt voll Blut und Wunden' in Bach's St. Matthew Passion.	JMcol	14	4	Autumn 1996	514-543
	8.	Rethinking Mendelssohn's historicism: A lesson from St Paul.	JMcol	15	2	Spring 1997	208-229
	9.	A dynamical systems perspective on music.	JMcol	15	4	Autumn 1997	529-545
	10.	Bach and the Chaconne.	JMcol	17	3	Summer 1999	358-385
	11.	Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1)	JMcol	17	4	Autumn 1999	546-584
	12.	On the Performance of 'Quia respexit ... omnes generationes' from J. S. Bach's Magnificat.	JMcol	18	3	Summer 2001	458-489
	13.	Reconciling God And Satan: Max Reger's Phantasie und Fuge über den Namen B-A-C-H, Op. 46.	JMcol	18	3	Summer 2001	490-515
	14.	The Printing History of J. S. Bach's Musical Offering: New Interpretations.	JMcol	19	2	Spring 2002	306-331
	15.	Forward-Looking Retrospection: Enharmonicism in the Classical Era.	JMcol	19	2	Spring 2002	332-373
	16.	Brahms's Opus 45 and German Protestant Funeral Music.	JMcol	19	4	Autumn 2002	616-640
	17.	C.P.E. Bach's 'Variations' and 'Embellishments' for his keyboard sonatas.	JMcol	2	2	Spring 1983	151-173
	18.	Eighteenth-century traditions and Mozart's 'Jupiter' symphony K.551.	JMcol	20	2	Spring 2003	157-195
	19.	Images of Bach in the Perspective of Basic Research and Interpretative Scholarship.	JMcol	22	4	Autumn 2005	503-520
	20.	'Singende Seele' or 'unsingbar'? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries.	JMcol	23	1	Winter 2006	3-61
	21.	'How I compose': Ferruccio Busoni's Views about Invention, Quotation, and the Compositional Process.	JMcol	27	2	Spring 2010	224-263
	22.	Metaphors of time and modernity in Bach.	JMcol	29	2	Spring 2012	154-190
	23.	The Letters from Carl Philipp Emanuel Bach to Georg Michael Telemann.	JMcol	3	2	Spring 1984	177-195
	24.	Allegorical Music: The 'Symbolism' of Tonal Language in the Bach Canons.	JMcol	3	4	Autumn 1984	340-362
	25.	Sympathizing with C.P.E. Bachs Empfindungen.	JMcol	34	1	Winter 2017	1-31
	26.	Balanchine's 'Bach ballet' and the dances of Rodgers and Hart's On your toes.	JMcol	35	2	Spring 2018	267-293
	27.	Johann Sebastian Bach: 300th Anniversary Celebration. University of North Carolina at Chapel Hill. [Conference Report].	JMcol	4	1	Winter 1985	114-120
	28.	J. S. Bach and the Status of Genre: Problems of Style in the G-minor sonata, BWV 1029.	JMcol	5	1	Winter 1987	55-78
	29.	Forkel's letters to Hoffmeister & Kühnel: A Bach Biographical Source Recovered.	JMcol	5	4	Autumn 1987	549-561
	30.	A Critical Reappraisal of J. S. Bach's A-major Flute Sonata.	JMcol	6	3	Summer 1988	367-386
	31.	Toward A Chronology Of Bach's Instrumental Music: Observations On Three Keyboard Works.	JMcol	7	4	Fall 1989	440-470
	32.	Expression and Authenticity in the Harpsichord Music of J. S. Bach.	JMcol	8	4	Fall 1990	449-476
	33.	The Stretto Principle: Some Thoughts on Fugue as Form.	JMcol	8	4	Fall 1990	553-568
	34.	Bach's Mass in B Minor: Considerations of its Early Performance and Use.	JMcol	9	1	Winter 1991	109-123
	35.	J. S. Bach and the Concord-Discord Paradox.	JMcol	9	3	Summer 1991	343-357
	36.	Bach and the 'Prima prattica': The Influence of Frescobaldi on a Fugue from the 'Well-Tempered Clavier'.	JMcol	9	3	Summer 1991	358-375